Gustaf "Audio Drag For Ego Slobs" LP LTD (2021)
Gustaf "Audio Drag For Ego Slobs" LP LTD (2021)
Gustaf "Audio Drag For Ego Slobs" LP LTD (2021)
Gustaf "Audio Drag For Ego Slobs" LP LTD (2021)
Gustaf "Audio Drag For Ego Slobs" LP LTD (2021)
Royal Mountain Records

Gustaf "Audio Drag For Ego Slobs" LP LTD (2021)

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Details: Autographed Gustaf LP "Audio Drag For Ego Slobs," Royal Mountain, 2021. Fully autographed by the band. Comes on black vinyl. Album is open/unsealed and does not come with d/l. New stock. Signatures on cover will vary from images.

Description: "Gustaf’s debut full-length album, Audio Drag For Ego Slobs, out October 1st, 2021 on Royal Mountain Records (Wild Pink, Alvvays, U.S. Girls), is a culmination of lessons learned on the stage and in the studio. The album is a collection of anxious affirmations, existential dread, and blind joy. Recorded at the Honey Jar Studio in Brooklyn with Carlos Hernandez (Ava Luna, Sneaks, Mr. Twin Sister) and co-produced by Hernandez and Gammill, it follows last year’s Mine 7-inch, the band’s first recorded material and a release that immediately garnered attention from outlets like NME and NPR who dubbed the band one of 2021’s emerging artists, as well as BBC 6 Music who added the release to regular rotation.

Both tense and loose, fluid yet uptight, Audio Drag For Ego Slobs sounds simultaneously like nothing you’ve ever heard before while channeling the spirit and energy of the old New York scene. Feeling like a cramped and secret house party, buzzing with kinetic energy and bristling with spirit, the title is a tongue-in-cheek play on classic compilation albums such as “relaxing tunes for an enchanting evening”. Lifted from the avant-garde multimedia artist Laurie Anderson, “Audio Drag” refers to Thiessen’s deepened pitch shifting voice filter, while “Ego Slob” is a self-coined phrase to describe someone who does a sloppy job of translating the outside world within the context of themself. 

That “sloppy” ego slob spirit translates to the album’s controlled chaos, bursting at the seams—a performance of hyperbole and cathartic emotional gluttony, sonically winking at the listener lest you take them too seriously. Gammill’s swaggering half-spoken vocal melodies pierce through the album’s central bass groove, bleating guitars, and restless drums.

After a year away from the stage, the band is eager to flex their muscles once more as a live act with plans to open for IDLES across the United States in October, as well as Pillow Queens in the United Kingdom in November, and prove why Brooklyn Vegan once said, “There are a lot of bands making arty post-punk, but very few who have a front person as magnetic, funny, and occasionally, scary as Gustaf’s Lydia Gammill.”

Grade: M (new stock)


A1. Mine
A2. Book
A3. Best Behavior
A4. Dream
A5. Liquid Frown


B1. The Motions
B2. Cruel
B3. Dog
B4. Package
B5. Happy