Vivien Albertine "Clothes Clothes Clothes ..." Book (2014)
Vivien Albertine "Clothes Clothes Clothes ..." Book (2014)
St. Martin's Press

Vivien Albertine "Clothes Clothes Clothes ..." Book (2014)

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Details: Vivien Albertine "Clothes Clothes Clothes ..." Book (2014, St. Martin's Press). Hardcover, first edition (9th printing), 1.46" H x 9.6" L x 6.39" W, 432 pages, dust cover jacket, light shelf-wear, deadstock, no marks. New stock.

Short Description: "Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. is a raw chronicle of music, fashion, love, sex, feminism, and more that connects the early days of punk to the Riot Grrl movement and beyond. But even more profoundly, Viv Albertine's remarkable memoir is the story of an empowered woman staying true to herself and making it on her own in the modern world."

Grade: NM/M

Full Description: "A feminist musician icon, Viv Albertine reveals the rocking, uncompromising story of her life on the front lines at the birth of the British punk movement and beyond in this exciting, humorous, and inspiring memoir. Selected by the New York Times as one of the 50 Best Memoirs of the Past 50 Years. Viv Albertine is a pioneer. As lead guitarist and songwriter for the seminal band The Slits, she influenced a future generation of artists including Kurt Cobain and Carrie Brownstein. She formed a band with Sid Vicious and was there the night he met Nancy Spungeon. She tempted Johnny Thunders...toured America with the Clash...dated Mick Jones...and inspired the classic Clash anthem "Train in Vain." But Albertine was no mere muse. In Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys., Albertine delivers a unique and unfiltered look at a traditionally male-dominated scene.

Her story is so much more than a music memoir. Albertine's narrative is nothing less than a fierce correspondence from a life on the fringes of culture. The author recalls rebelling from conformity and patriarchal society ever since her days as an adolescent girl in the same London suburb of Muswell Hill where the Kinks formed. With brash honesty--and an unforgiving memory--Albertine writes of immersing herself into punk culture among the likes of the Sex Pistols and the Buzzcocks. Of her devastation when the Slits broke up and her reinvention as a director and screenwriter. Or abortion, marriage, motherhood, and surviving cancer. Navigating infidelity and negotiating divorce. And launching her comeback as a solo artist with her debut album, The Vermilion Border.

Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. is a raw chronicle of music, fashion, love, sex, feminism, and more that connects the early days of punk to the Riot Grrl movement and beyond. But even more profoundly, Viv Albertine's remarkable memoir is the story of an empowered woman staying true to herself and making it on her own in the modern world."

Author: "Viv Albertine - Songwriter and musician Viv Albertine was the guitarist in the hugely influential female punk band The Slits. A confidante of the Sex Pistols and the Clash, Viv was a key player in British punk culture. Alongside The Slits, she collaborated with numerous musicians, including Adrian Sherwood, before marking out a career in television and film production. After a hiatus of twenty-five years, Viv's first solo album, The Vermillion Border, was released in 2012 to great critical acclaim."

Press: "A memoir full of raw and uncompromising anecdote and opinion, Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys is an unflinching account of a life lived on the frontiers of experience, by a true pioneer." (#1 on the "Books of the Year 2014" -- Rough Trade

"Unflinching, candid, revelatory: the perils of being a pioneer." -- Jon Savage, award-winning author of England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and Beyond

"A brutally honest book about the blood, guts, sweat, and tears that went into becoming a woman in the Seventies. You don't need to be a fan of the Slits or even punk to be gripped from the off" -- The Telegraph (UK)

"Her voice is important in the back story of women in British rock, but she is now as original and interesting an entertainer in words as in music." -- The Times (UK)