Jessica Hopper "The First Collection Of Criticism By..." Book (2021)

Details: Jessica Hopper's revised and expanded 2021 edition of her fantastic collected music criticisms. The title says it all. Released July 6, 2021, paperback. 448 pages. Light shelf wear, Microcosm distributed title.

Short Description: "In order for the music industry to change, Hopper writes, we need "the continual presence of radicalized women . . . being encouraged and given reasons to stay, rather than diminished by the music which glues our communities together." The First Collection of Criticism by a Living Female Rock Critic--published to acclaim in 2015, and reissued now with new material and an introduction by Samantha Irby--is a rallying cry for women-centered history and storytelling, and a groundbreaking, obsessive, razor-sharp panorama of music writing crafted by one of the most influential critics of her generation."

Grade: NM/NM (new stock)

Full Description: Jessica Hopper's criticism is a trenchant and necessary counterpoint not just on music, but on our culture at large. --Annie Clark, St. Vincent

An acclaimed, career-spanning collection from a fiercely feminist and revered contemporary rock critic, reissued with new material

Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater-Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey. 

In order for the music industry to change, Hopper writes, we need "the continual presence of radicalized women . . . being encouraged and given reasons to stay, rather than diminished by the music which glues our communities together." The First Collection of Criticism by a Living Female Rock Critic--published to acclaim in 2015, and reissued now with new material and an introduction by Samantha Irby--is a rallying cry for women-centered history and storytelling, and a groundbreaking, obsessive, razor-sharp panorama of music writing crafted by one of the most influential critics of her generation.

Author: Jessica Hopper is the author of the books The First Collection of Criticism By A Living Female Rock Critic and Night Moves. Her writing has appeared in GQ, Rolling Stone, The New York Times Magazine, The Guardian, Elle, and Bookforum, among other outlets. A long time contributor to the Chicago Reader, she has been a columnist for the Village Voice and Chicago Tribune, the music consultant for This American Life, the editorial director for MTV News, and a senior editor at Pitchfork and Rookie. Her essays have appeared in several editions of Best Music Writing, and she currently serves as series editor of the American Music Series at the University of Texas Press

Press: [ The First Collection of Criticism by a Living Female Rock Critic] is by turns loose and warm and finicky and outraged, and its best pieces are more observant than 94 percent of the first novels that have come my way this year. -- Dwight Garner, The New York Times

An airtight case for why the professional critic still matters, and why it is a thrill to spend time in the presence of someone whose job it is to care so much and so intelligently. --Kathleen Rooney, Chicago Tribune 

The First Collection is a game-changer, a godsend, and a Holy Grail for those who have been forced to reside on the fringe of the notoriously 'male-dominated sphere' of rock criticism and fandom [...] Hopper's work, influence, and unwavering support for the diversification of voice and perspective within music journalism have altered the landscape of rock criticism for the better. It may be the first collection of criticism written by a female rock critic, but it's definitely not the last. --Dianca Potts, The Village Voice

A game-changing collection of writing . . . Hopper has created a bible for aspiring writers, not just music critics. --Jessica Goodman, Huffington Post